Tags / Drawing
February 4, 2015
Some say the Charlie Hebdo attack changed the political cartoon world forever and that the threat to cartoonists has never been so strong. However, should this perceived threat prevent cartoonists from still covering sensitive issues? Should all journalistic cartoonists feel threatened?
One cartoon journalist set out to show that cartoonists should not limit themselves. Jules Callis, who comes from the Netherlands, had clear doubts about his decision to travel to Lebanon to document the Syrian refugee crisis just days after the attack. However, Callis was not about to shy away from a subject and determinedly made the decision to travel to the Syrian border to tell the real story of Syria's refugees through comic journalism.
Istanbul, Turkey. 11th September 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Art by Christoph Schaefer. © Claudia Wiens/
Istanbul, Turkey. 11th September 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Art bei Sener Ozmen. © Claudia Wiens
An artist draws a design at the 3rd International Nepal Tattoo Convention held in April 2013 in Kathmandu.
The convention that was held from April 26 to 28 showcased 70 national and international tattoo artists.
Every week, Ahmad Jalal, a young dentist in the city of Kafranabel, Syria makes controversial drawings about the Syrian regime, its allies, and the international community. Each drawing is a protest against the international community's declarations about Syria, or a denunciation of human rights abuses committed by the Syrian regime. Every week a banner is also made and echos the messages found in the drawings.
Unknown before the beginning of the Syrian revolution in 2011, Kafranbel is a small city that has become an icon of the Syrian uprising. Located in the Idlib region of North-Western Syria, in a zone controlled by the Free Syrian Army's Knights of the law brigade, this small city is now becoming known for its caricatures and banners.
The text on the caricatures and banners of Kafranabel is written in English in order to "reach the international public opinion more that the governments, as [the governments] have never done something for us since the beginning of the revolution", Ahmad Jalal says. Ahmad Jalal also tries to use the caricatures as a way to promote Syrian unity. Some drawings and messages have been dedicated, for instance, to Qamishli, a predominantly Kurdish city in the north-east of the country which is under the control of the PYD, a Kurdish independence party. After two years of revolution and war, Kafranbel is trying to lead the fight against sectarianism and is fast becoming a model for the rest of the Syrian population opposed to the regime, but keeping hope for a unified Syria.
Archaeologists have discovered 100 or so rock carvings from the Upper Palaeolithic (10,000 to 30,000 years ago) which depict basic animation at 2 to 3 frames per second. This panel depicts a Auroch (a large ancient bovine species) in two frames.
Archaeologists have discovered 100 or so rock carvings from the Upper Palaeolithic (10,000 to 30,000 years ago) which depict basic animation at 2 to 3 frames per second. Here one of the figures is traced out by one of the Coa Valley Archaeological Park guides.
During class, first-grade students draw tanks and free Syria flags in class at the Albashayer School for Syrian Refugee Children. They are wearing Turkish school uniforms that were received as a donation.
Name: Afromystrerics Art.
Journalist: Taiwo Adeleke
A Nigerian born Artist and musician use his works of art to interpret the mystery of the African thought pattern and the weak economics situation in Nigeria from the fuel scarcity, crisis and killings , political power tussle and the challenges of Africa Artist at large. Images and soundbite of people at the art exhibition.
Artist use his work of art to interpret the Economic situation in Nigeria and Africa at Large.
Timi Inekoba (Woman) Participant at the Exhibition
Stanley Ibansu (man) Business man Participant at the Art Exhibition
Laolu Senbanjo (man) Artist / Musician
ABUJA, NIGERIA, NOVEMBER 30, 2012, AT THE ART EXHIBITION
ABUJA NIGERIA, DECEMBER 02, 2012 AT THE MUSIC CONCERT
VAR of a Artist drawing
VAR of Artist art exhibition in Abuja
VAR of people registering at the Art exhibition
VAR of Artist show casing his Art work to Audience
VAR of Artist playing is Guitar and singing to the audience
VAR of Artist Playing his music alone in the garden.
VAR of Artist at his music Concert in Abuja at the city park Abuja Nigeria
SOUNBITE:1 Timi Inekoba (Woman). Participant at the Art Exhibition ( English, 00:00:07:24 ). "My second favorite pieces is about the visual cycle, all the random things that as been going on in Nigeria, the subsidy things, the oil thing, the corruption thing is like he just recycle everything. Am pretty sure you know its art and music it comes together, so he translate everything from art to music , music to art. I think this will stand any were and its good. i like his art because its abstract, its beautiful, its something else,but i think it we go very far".
SOUNDBITE 2 : Stanley Ibansu (man) Business man Participant at the Art Exhibition. (00:00:51:17) "A picture speaks volume. i mean in thousand words , now pictures is in millions of words his art speaks millions of words , its mind blowing , i love what he does, most of what he as done envoy round the women fold , and all this while, why the event was going on i was thinking about why the women but you know discover that its actually the women its a woman world,everything involve around the woman , he has been able to, i had something very peculiar today somebody said that if you are able to change the woman, 80% of the challenges we have in the society is handle and that is the truth. What he is doing is affecting the women fold and i must tell you this is cutting across the change we expect and to tell you the truth he is making the impact that is needed with that ".
SOUNDBITE 3: Laolu Senbanjo (man) Artist / Musician. ( 00:00:47:08)
"My name is Laolu Senbanjo and am an artist and also a musician, my style of art is called Afromysterics art which simply means the mystery of Africa thought pattern, and what i do is hat i like to use my art to interpret different scenario and situations. I draw inspiration from methodology, symbols, Africa life, the Africa third pattern, everyday life and you know what we do is a narrative of a busy mind. An African mind is very busy is thinking of many things at the same time, so with this i try to tell you a lot of stories with just one picture, i take you through a story in a particular painting.
After having exhibitions outside the shore of Nigeria, i have been to few exhibitions am in a position to compare and contrast what the acceptance is like, you know you cant compare the monetary value in terms of appreciation in terms of the value of the artist itself. We in Africa, we need to do more , we need to value our artist and treat therm better because its sad to know that a lot of artist don't even have art galleries.
the major challenges is that of perceptive and understanding of what art is and a lot of people, like i tell people you don't pay an artist for his labour, he is not a laborer, you pay an artist for his site and ability to see what you cant see and put it in imagination on canvas ability to connect what is in your mind to your art. That is what people should value and that is priceless in the sense that when you see a work of art you see people price it like its a commodity like tomatoes and its very heart breaking sometimes the way we treat our own artist and this is something that is absence somewhere like i had exhibition in Germany , the artist are treated with respect and dignity and you know what ever costs a work is the value behind the work , basically you cant price art.
Afromysterics is going on loud , we are launching out and what we want is to take the message of our people , we want to take it to the world in charcoal something that the world have not seen, we want to take it out in a very unique manner, there is notting fetish or demonic about africa art, we should stop demonizing our history , our root because that is what saddens me the most , because most people see carving, mask , they start saying its as this and that , many people have been brain watched, and its painful , very very painful, i menthes are beautiful things that is been appreciated globally , this is what makes us unique, i mean while should be more European than an European, i mean he doesn't want to see the like of Michelangelo , Da vinci, of this world, i mean while not do what is natural to you , we have our styles of art , we have what cones to us naturally and the reasons while am doing this is that , this is what comes to me , this is what i feel, this is what i imagine and this is what am dreaming , i mean my art , i that is what am actually doing here i just sit down and let it flow that as been my life i let it flow."