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Garment Factory Fire Survivors 09
Saver
By zakir hossain chowdhury
08 Mar 2014

Sume Akter, 23, broke her leg and hand when she jumped from the 2nd floor of the Tazreen Fashion building to escape the blaze that killed 117 of her colleagues in 2012.

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Garment Factory Fire Survivors 10
Saver
By zakir hossain chowdhury
08 Mar 2014

Reshma, 20, jumped from 2nd floor of the Tazreen Fashion building when a fire broke out that killed 117 people in 2012. She still suffers backbone and leg problems due to injuries she sustained from the fall.

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Garment Factory Fire Survivors 13
Saver
By zakir hossain chowdhury
08 Mar 2014

Banu Rani, 35, was severely injured when she jumped from the 2nd floor of the Tazreen Fashion building to escape the blaze.

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Garment Factory Fire Survivors 16
Saver
By zakir hossain chowdhury
08 Mar 2014

Moushumi Begum, 24, was pregnant with her daughter Zinti when she jumped from 3rd floor of the Tazreen Fashion building. Her daughter is alive and well, but Moushumi remains deeply scarred by the fire that took 117 of her colleagues' lives.

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Garment Factory Fire Survivors 01
Saver
By zakir hossain chowdhury
08 Mar 2014

Morsheda Begum, 27, jumped from 2nd floor of the Tazreen Fashion building to escape the deadly 2012 factory fire, breaking several bones

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Garment Factory Fire Survivors 03
Saver
By zakir hossain chowdhury
08 Mar 2014

Rupa Begum, 26, jumped from 2nd floor of the building, breaking her nose as she fell to the ground.

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Garment Factory Fire Survivors 04
Saver
By zakir hossain chowdhury
08 Mar 2014

Mahfuza Akter, 20, jumped from 2nd floor of the Tazreen Fashion building when went ablaze in 2012, killing 117 of her coworkers. Two years later, the emotional and psychological trauma remains.

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Garment Factory Fire Survivors 06
Saver
By zakir hossain chowdhury
08 Mar 2014

Afroza Begum, 26, jumped from 3rd floor of the Tazreen Fashion building. Since the fire, she has struggled with mental illness.

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Garment Factory Fire Survivors 02
Saver
By zakir hossain chowdhury
08 Mar 2014

Anzu Ara, 26, jumped from 2nd floor of the Tazreen Fashion building to escape the factory fire that claimed 117 lives. "Sometimes the intensity of the pain drives me mad," she said. "I break things in desperation. I wake up screaming 'fire! fire!' at night. I can't sleep."

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Twin explosions in Beirut Near Irania...
Beirut, Lebanon
By Transterra Editor
17 Nov 2013

At least 23 people were killed and more than 145 injured in two explosions that ripped through Beirut's neighborhood of Bir Hassan, near the Iranian embassy. The cultural attaché for the Iranian embassy, Sheikh Ibrahim Ansari, was among those killed. Abdullah Azzam Brigades, an al-Qaeda-linked group, has claimed responsibility for the attack.

Photos by Hussein Baydoun

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The Antechamber of Life
Lebanon Arsal
By Transterra Editor
22 Oct 2013

Arsal, a Lebanese border city with Syria, is a haven for the more than 12,000 Syrians who fled the fighting of the region of Qalamoun recently. Inside a building under construction in the small city, which today hosts more Syrians than Lebanese, the Union of Syrian Organizations of Medical Aid (UOSSM) organizes a formation on war medicine for 32 Syrian doctors and nurses every month.

In October, most of the trainees were originated from Qusayr, Syria, where they had to treat patients in clandestine clinics, hidden from the eyes of the Syrian authorities. Some were imprisoned and others tortured because they were treating civilians in secret. When the city was taken by the Syrian regime in summer 2013, they had to flee to Arsal, where they built a hospital inside of a mosque. There, they began to cure the injured from Qusayr, before being overwhelmed by the injured from the region of Qalamoun, the new epicentre of the Syrian civil war.

Between the 28th of November and the 3rd of December, half of the doctors and nurses who attended the formation were coming from Qalamoun. Some had lost their parents, other their children. But all were determined to learn the vital techniques to cure in the conditions of violence and shortage. Once trained and back in Syria, they will reproduce what they learned and train the rare doctors and nurses who still treat civilians among the ruins of Syria.

In the midst of a war where humanitarian right is seldom respected and where doctors are considered as targets by the Syrian regime, Raphaël Pitti, a former French war doctor and founder of the UOSSM, decided to organize formations of war medicine in Turkey, Syria and Lebanon, to teach to local doctors how to save lives in conditions of war. Today, 300 doctors and 350 nurses have been trained by the UOSSM. In the rebel areas of Syria, where international NGOs have no access, they remain the only people who can still save lives... at the risk of their own.

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The importance of photo.
iraq
By Ghaith Salih
14 Oct 2013

Video about : Importance of the photo so that represents an open and optical text ,where the role of photographer to achieve it.

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Gun Disease in Myanmar
By Spike Johnson
10 Oct 2013

In the gold mines of Sinktu and Thabait Kyin, in the Mandalay division of Myanmar, gold mining is famous. Over thirty gold mines are active, but the scene doesn't look much like wealth. Half naked men, with rusty pneumatic drills and homemade dynamite are lowered 500 feet, on fraying ropes, into holes in the ground. Covering their faces with rags, they drill gold ore from the stone.

“We break the rocks with high pressured guns, but breathe the small particles that come from breaking the stone. We contract lung infections that we call "gun disease," says Wat Tay, 35, a gold miner from Sintku Township.

This year gold production in the area has doubled due to softening government sanctions and international demand. Myanmar's huge mineral deposits are seen as key sectors in export-driven growth. In recent months the price of gold has slowly risen in Myanmar, possibly linked to the decline of the dollar, as an opportunistic public sell their jewelry at high prices ready to buy back if prices drop.

Forums are being held in capital cities by the Myanmar government, mine owners, and the Ministry of Mines to persuade foreign investment from corporate companies for industrial technology. The idea is to reduce Myanmar's poverty rate from 26 percent to 16 percent by 2015, by exporting the country's gold reserves. However, added demand for export means an increased need for manpower, working hours, and medical support.

Through the night groups of men squat above mine shafts, ankle deep in muddy puddles, waiting to haul out ore or winch up their friends. After working in the mines for around ten years, the worker's lungs give in form undiagnosed diseases. Hidden in bamboo huts, attached to oxygen, they weaze out their last days.

“The owners of gold pits don't care about the health issues of the miners, so the health problems are increasing. They don't pay for safety protection for us, so we make do ourselves, like putting some clothes over our mouths, or buying cheap masks to reduce the dust we breath in,” says Wat Tay.

Miners are given one or two bananas after a shift in the tunnels, to help with nutrition. But no respiration equipment is provided by the mine owners, and the miners don't have the money to invest in equipment themselves. Although cases are frequent, perhaps inevitable, there is no health care system for the miners and no diagnosis of “gun disease.” Instead they are given a tank of oxygen and left to fend for themselves, too weak to seek other employment or to leave their huts.

“I can't breathe well. If I breath my abdominal muscles are tight and it hurts also in my back. I pain feel when I breathe. Twice they've given me pills for Tuberculosis, but this medicine has no effect for me,” says Kwin Tone Sel, 42. He used to mine in Sintku Township, before his lung disease prevented him from leaving his bed.

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The 13th Istanbul Biennial, “Mom, am ...
Istanbul, Turkey.
By Claudia Wiens
27 Sep 2013

Istanbul, Turkey . 12th Sep, 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Basel Abbas and Ruanne Abou Rahme work collaboratively from their base in Ramallah, Palestine across a range of sound, image, installation, and performance. © Claudia Wiens/

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The 13th Istanbul Biennial, “Mom, am ...
Istanbul, Turkey
By Claudia Wiens
26 Sep 2013

Istanbul, Turkey . 12th Sep, 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Gulsun Karamustafa's work is shown in SALT Gallery. © Claudia Wiens

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The 13th Istanbul Biennial, “Mom, am ...
Istanbul, Turkey
By Claudia Wiens
26 Sep 2013

Istanbul, Turkey. 11th September 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Art bei Sener Ozmen. © Claudia Wiens

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he 13th Istanbul Biennial, “Mom, am I...
Istanbul, Turkey
By Claudia Wiens
26 Sep 2013

Istanbul, Turkey. 11th September 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. © Claudia Wiens

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The 13th Istanbul Biennial, “Mom, am ...
Istanbul, Turkey
By Claudia Wiens
26 Sep 2013

Istanbul, Turkey. 11th September 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Video by Halil Altindere. © Claudia Wiens

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he 13th Istanbul Biennial, “Mom, am I...
Istanbul, Turkey
By Claudia Wiens
26 Sep 2013

Istanbul, Turkey. 11th September 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. © Claudia Wiens

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The 13th Istanbul Biennial, “Mom, am ...
Istanbul, Turkey
By Claudia Wiens
26 Sep 2013

TURKEY, ISTANBUL: The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. © Claudia Wiens

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he 13th Istanbul Biennial, “Mom, am I...
Istanbul, Turkey
By Claudia Wiens
26 Sep 2013

Istanbul, Turkey. 11th September 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. © Claudia Wiens

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The 13th Istanbul Biennial, “Mom, am ...
Istanbul, Turkey
By Claudia Wiens
26 Sep 2013

TURKEY, ISTANBUL: The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Art by Wouter Osterholt and Elke Uitentius. © Claudia Wiens

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The 13th Istanbul Biennial, “Mom, am ...
Istanbul, Turkey
By Claudia Wiens
26 Sep 2013

Istanbul, Turkey. 11th September 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Art by Christoph Schaefer. © Claudia Wiens/

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Daily Life in Tareq Al-Bab Market in ...
Aleppo, Northwestern Syria
By Antonio-Pampliega
23 Sep 2013

Thousands of people make their daily life in the city of Aleppo.
The most important markets of the city remain open.
Customers flock to buy despite the bombings on different areas of the city.

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Daily Life in Tareq Al-Bab Market in ...
Aleppo, Northwestern Syria
By Antonio-Pampliega
15 Sep 2013

Thousands of people make their daily life in the city of Aleppo.
The most important markets of the city remain open.
Customers flock to buy despite the bombings on different areas of the city.

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Daily Life in Tareq Al-Bab Market in ...
Aleppo, Northwestern Syria
By Antonio-Pampliega
15 Sep 2013

Thousands of people make their daily life in the city of Aleppo.
The most important markets of the city remain open.
Customers flock to buy despite the bombings on different areas of the city.

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Daily Life in Tareq Al-Bab Market in ...
Aleppo, Northwestern Syria
By Antonio-Pampliega
15 Sep 2013

Thousands of people make their daily life in the city of Aleppo.
The most important markets of the city remain open.
Customers flock to buy despite the bombings on different areas of the city.

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Daily Life in Tareq Al-Bab Market in ...
Aleppo, Northwestern Syria
By Antonio-Pampliega
15 Sep 2013

Thousands of people make their daily life in the city of Aleppo.
The most important markets of the city remain open.
Customers flock to buy despite the bombings on different areas of the city.

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Daily Life in Tareq Al-Bab Market in ...
Aleppo, Northwestern Syria
By Antonio-Pampliega
15 Sep 2013

Thousands of people make their daily life in the city of Aleppo.
The most important markets of the city remain open.
Customers flock to buy despite the bombings on different areas of the city.

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Daily Life in Tareq Al-Bab Market in ...
Aleppo, Northwestern Syria
By Antonio-Pampliega
14 Sep 2013

Thousands of people make their daily life in the city of Aleppo.
The most important markets of the city remain open.
Customers flock to buy despite the bombings on different areas of the city.

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Daily Life in Tareq Al-Bab Market in ...
Aleppo, Northwestern Syria
By Antonio-Pampliega
14 Sep 2013

Thousands of people make their daily life in the city of Aleppo.
The most important markets of the city remain open.
Customers flock to buy despite the bombings on different areas of the city.

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The 13th Istanbul Biennial, “Mom, am ...
Turkey, Istanbul
By Claudia Wiens
12 Sep 2013

Istanbul, Turkey . 12th Sep, 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Basel Abbas and Ruanne Abou Rahme work collaboratively from their base in Ramallah, Palestine across a range of sound, image, installation, and performance. © Claudia Wiens

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The 13th Istanbul Biennial, “Mom, am ...
Turkey, Istanbul
By Claudia Wiens
12 Sep 2013

Istanbul, Turkey . 12th Sep, 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Basel Abbas and Ruanne Abou Rahme work collaboratively from their base in Ramallah, Palestine across a range of sound, image, installation, and performance. © Claudia Wiens/

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The 13th Istanbul Biennial, “Mom, am ...
Istanbul, Turkey
By Claudia Wiens
12 Sep 2013

Istanbul, Turkey . 12th Sep, 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Basel Abbas and Ruanne Abou Rahme work collaboratively from their base in Ramallah, Palestine across a range of sound, image, installation, and performance. © Claudia Wiens

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The 13th Istanbul Biennial, “Mom, am ...
Istanbul, Turkey
By Claudia Wiens
12 Sep 2013

Istanbul, Turkey . 12th Sep, 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Diego Bianchi's art work, shown in SALT Gallery, emerged during the last decade as a magnifying and distorting lens of urban life that focused on the formal and mostly chaotic traces of consumerism. Bianchi's project for the 13th Istanbul Biennial is an installation inspired by any given city's brash.

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The 13th Istanbul Biennial, “Mom, am ...
Istanbul, Turkey
By Claudia Wiens
12 Sep 2013

Istanbul, Turkey . 12th Sep, 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Gulsun Karamustafa's work is shown in SALT Gallery. © Claudia Wiens

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The 13th Istanbul Biennial, “Mom, am ...
Istanbul, Turkey
By Claudia Wiens
12 Sep 2013

Istanbul, Turkey . 12th Sep, 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Diego Bianchi's art work, shown in SALT Gallery, emerged during the last decade as a magnifying and distorting lens of urban life that focused on the formal and mostly chaotic traces of consumerism. Bianchi's project for the 13th Istanbul Biennial is an installation inspired by any given city's brash.© Claudia Wiens

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The 13th Istanbul Biennial, “Mom, am ...
Istanbul, Turkey
By Claudia Wiens
12 Sep 2013

Istanbul, Turkey. 11th September 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Art bei Sener Ozmen. © Claudia Wiens

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The 13th Istanbul Biennial, “Mom, am ...
Istanbul, Turkey
By Claudia Wiens
12 Sep 2013

Istanbul, Turkey . 12th Sep, 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Basel Abbas and Ruanne Abou Rahme work collaboratively from their base in Ramallah, Palestine across a range of sound, image, installation, and performance. © Claudia Wiens