Tags / sound
Surry Hills, Sydney - 9th September 2016. Alex Gooden has produced the music soundtrack for the 2016 NYE fireworks displays. (Model release: ER20160914-Bye Sound Track -00388.jpg)
Blues Rocker Walter Trout and his band perform live at the club Fabrik in Hamburg, Germany.
Life for visually impaired people in Cameroon is a constant battle, given that they are discriminated upon, a phenomenon which condemns some of them to live in solitude and mendicancy. Even though many of them are undocumented and often ignored by society, this doesn’t stop them from being ambitious and entrepreneurial. This is the case with Coco Bertin, who runs CJARC, one of Cameroon’s most solicited rehabilitation centres for the visually impaired. Bertin speaks fondly of his centre, saying “I am morally gratified by the fact that I am able to help other people, so that they can share in my happiness.”
Upon graduating in 1986, Coco Bertin, who is visually impaired, received a modest financial incentive of CFA 61.500 from the Rehabilitation Institute for the Blind in Buea. Rather than indulge in mendicancy as is the case with so many blind people, he decided to start an organisation that could provide strategic education for the visually impaired. This decision was greatly influenced by the fact that people with disabilities who go to school find it very difficult coping with a system which does not take them into account when drawing the curriculum.
In order to achieve this, he started working on the furniture for his organisation, which he named COJARY (it was later renamed CJARC [Club des Jeunes Aveugles Réhabilités du Cameroun] in 1988) from his bedroom in his parents’ house, and as well joined forces with Martin Luther, another visually impaired person who graduated from the same school as himself. From Bertin’s parents’ bedroom, the activities moved to the veranda of the Departmental Delegation of Social Affairs in the Essos neighbourhood.
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Istanbul, Turkey . 12th Sep, 2013. The 13th Istanbul Biennial, “Mom, am I barbarian?”, curated by Fulya Erdemci, runs from 14 September untill 20 October. Admission to the biennial exhibitions is free, overlapping with the biennial’s vision to create a public space and be accessible to everyone. Basel Abbas and Ruanne Abou Rahme work collaboratively from their base in Ramallah, Palestine across a range of sound, image, installation, and performance. © Claudia Wiens