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Bangladesh's Jamdani Sari
Dhaka, Bangladesh
By zakir hossain chowdhury
08 Jul 2015

In December 2013, the Intellectual Property Association of Bangladesh (IPAB) celebrated a major success as Bangladesh's Jamdani Sari weaving tradition, a labor-intensive and time-consuming form of hand loom weaving is recognized as Intangible Cultural Heritage of Humanity by the United Nations Educational, Scientific and Cultural Organization. Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District.

A sari is the traditional garment worn by women in the Indian subcontinent, made up of a long strip of unstitched cloth, ranging from five to nine yards in length, which can be draped in various styles. The most common style is for the sari to be wrapped around the waist with one end then draped over the shoulders with the other. The Jamdani Sari is among the oldest styles, at more than 5,000 years old! Some people think that the sari was influenced by Greek or Roman toga, which we see on ancient statues. However, there is no solid historical evidence to this effect.

The sari is essentially designed to suit local conditions in the subcontinent. There are at least six varieties of Bengal handlooms, each deriving its name from the village in which it originated, and each with its own distinctive style. Dhaka was especially renowed for saris of fine muslin, a tradtion that carries on today. Jamdani is basically a transformation of the world famous Dhakai Muslin. According to their variety, fineness and patterns the traditional Dhakai Muslins were divided into specific categories. Among them, Aab-E-Rouhan, Shabnam, Sarband and Jamdani muslin were the most famous. Over the years the first three of these have vanished from history.

The production, marketing and export of Jamdani has somehow maintained its continuity. Dhaka has a history of only four hundred years from 1610 A.D., but the history of the cotton clothes of the region reveals more ancient traditions. Although most of the history of Jamdani weaving os lost in the mists of antiquity, it's known that trade in the fabric was established at least 2,000 years ago.

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Jamdani Sari 01
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 02
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 03
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 04
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 05
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

Portrait of a Bangladeshi weaver of Jamdani Saris in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 06
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 07
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

Portrait of a Bangladeshi weaver of Jamdani Saris in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 08
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 09
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A whole saller of Jamdani Saris shows a piece from his collection in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 10
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

Jamdani Saris are made from the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 11
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A whole saller of Jamdani Saris shows a piece from his collection in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 12
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 13
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 17
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 18
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 19
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 20
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 21
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 23
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 24
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 25
Dhaka, Bangladesh
By zakir hossain chowdhury
07 Jul 2015

A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.

Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.

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Jamdani Sari 14
Dhaka, Bangladesh
By zakir hossain chowdhury
13 Jun 2015

A model shows off a Bangladeshi traditional Jamdani Sari in Dhaka on 13 June 2015 when the Intellectual Property Association of Bangladesh (IPAB) celebrated the Jamdani Sari being recognized as an Intangible Cultural Heritage of Humanity by the United Nations Educational, Scientific and Cultural Organization.

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Jamdani Sari 15
Dhaka, Bangladesh
By zakir hossain chowdhury
13 Jun 2015

A model shows off a Bangladeshi traditional Jamdani Sari in Dhaka on 13 June 2015 when the Intellectual Property Association of Bangladesh (IPAB) celebrated the Jamdani Sari being recognized as an Intangible Cultural Heritage of Humanity by the United Nations Educational, Scientific and Cultural Organization.

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Jamdani Sari 16
Dhaka, Bangladesh
By zakir hossain chowdhury
13 Jun 2015

A model shows off a Bangladeshi traditional Jamdani Sari in Dhaka on 13 June 2015 when the Intellectual Property Association of Bangladesh (IPAB) celebrated the Jamdani Sari being recognized as an Intangible Cultural Heritage of Humanity by the United Nations Educational, Scientific and Cultural Organization.

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Domestic Workers Face 'Modern Slavery...
Hong Kong
By Miguel Candela
01 Mar 2015

320,000 migrant women are exposed to all kinds of physical and psychological abuse in the domestic service sector of Hong Kong. This story is a testimony of their experiences and struggles.

After being repeatedly abused and realizing that her situation would not improve, in a desperate attempt, Kamsiah ran away from her employer's house without money or documentation. Subsequently she was accused of stealing her employer's wallet which was said to contain around 900 US Dollars. Unfortunately, false accusations are a common practice to pressure migrant workers and avoid paying the wages owed to them. Barefooted, without money nor documentation, she sought refuge in a 24-hour fast food restaurant and waited until another compatriot helped her and took her to a shelter.

Esther C. Bangkawayan is the director of Bethune House shelter, where foreign domestic helpers who suffer abuse find shelter, food, and legal advice. They now house about a dozen women in trouble, but at times they even have to squeeze around 20 people in the small house nestled beside a church in Kowloon. A domestic helper herself, Esther is campaigning the government to scrap two rules she deems unfair: one which forbids employees from changing their employers more than three times a year, and another one which doesn’t allow them from changing to work at another sector of the economy.

42 year old filipino domestic helper Grace signed a misleading labour contract to work in Hong Kong but she instead ended up in Dalian, a northeast Chinese city 1,979 km far from Hong Kong. After confronting her employer about the situation, Grace was put into a return flight to Hong Kong without her pending salary and with only 200 RMB in her wallet. Grace has made now a formal complaint against the recruitment agency which made her labour contract. However, she is not very optimistic regarding her chances of recovering the debt of 40,000 pesos she currently has in the Philippines.

Eni Lestari, Indonesian, is the spokesperson for the Justice for Erwiana Committee. A domestic helper herself, she hopes to get justice for one of her compatriots, Erwiana Sulistyaningsih, who came to Hong Kong seeking for a better life and future but instead found a form of modern slavery. Erwiana’€™s employers hit her so severely that her brain has sustained irreversible injuries. As a result, she is unable to walk properly and has blurred vision. Her employer punched Erwiana so violently that her teeth cracked. She was sent to Indonesia with her body full of bruises and 8 US dollars in her pocket. Outraged immigrants like Lestari demand now justice and prison for her attackers. The Court has already declared them guilty and sentence is pending.

On Sundays thousands of Indonesian women gather in the streets and public spaces around Hong Kong to take advantage of their only day off. Most take their own food and an umbrella and talk to their friends all day long.

“€œWe barely have any money, so we have to take our lunch from our employer's house and sit in any public space that we can so we can enjoy our leisure time with our friends,”€ said Kamsiah.

To enjoy their free time and to get to know other immigrant workers in Hong Kong, immigrant groups organize activities for the women, such as beauty contests and self-defense classes in Victoria Park.  Persaudaraan Setia Hati Terate Fight Club teaches women to protect themselves from abusive employers.

Not only helping the women get away from the world of domestic work for the little time they have off or boosting their ability to defend themselves, such activities are the only social contact many have; and friends made during Sundays can be of great importance when difficulties arise.

FULL ARTICLE AVAILABLE ON REQUEST

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Child labour in Yemen (VO - Norwegian)
Sanaa
By dustweare
14 Sep 2013

Saleh Abdallah al-Raymi has been a labourer in the capital Sanaa since the age of seven. But his is, unfortunately, not an extraordinary case. He's one of more than a million child labourers in Yemen, and the numbers are increasing as the country is plunging deeper into its political and financial crisis.

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A worker's life
Yemen Trim
By Osama.Khaled
11 Sep 2013

This film was produced in 2009, and is the first experience of a young man in the age of 17 in documentary filmmaking depending on a household camera and self-effort. This film tells the story of child labor and cleaning worker's problems. Since 2009 & now we are in the end of 2012, not much has changed for this worker, who only if stops performing his work, we notice the vast difference that we don't sense it unless its gone, & our streets have been witnessing such events from the beginning of this year with the cleaning workers' strikes.
The stated rights for cleaning worker's are many, but in reality they do not exist.
This film was produced to attract more attention to the obstacles and problems faced by the cleaning workers especially children and search for solutions, and it does not have any political bias.
The producer hopes that this film will be advantaged from the information in it and allows it to be used for humanitarian purposes only.

Special thanks to the musician Ahmed al-Shibh, who allowed the use of his music in the film, and to everyone who contributed in the success of this work.

Translation: Mariam A. Al-Dubhani Ala'a Jarban

Produce : Osama khaled

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Viome 26
Thessaloniki
By Michele Lapini
29 May 2013

The workers of Vio.Me., a building materials factory in Thessaloniki, Greece, which was abandoned by its owners, have been unpaid since May 2011. By decision of their general assembly they have decided to occupy the factory and operate it under direct democratic workers’ control. After a year-long struggle that has attracted attention and solidarity in Greece and worldwide, they are kick-starting production on February 12, 2013, after 3 days of intense mobilization.

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The Death of a Village
Sawantwadi, Karnataka, India
By Javed Iqbal
11 Mar 2013

Thirty-eight yea-old Kishan Chauhan lost his leg to gangrene after a lesion caused by arsenic poisoning became infected

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Blind women working on a carpet
cairo, Egypt
By Marwa Morgan
07 Nov 2012

A group of blind women of “El Nour wel amal” association working passionately on products that they can’t see but can only feel.

El Nour Wel amal is an Egyptian NGO that’s concerned with supporting blind females in Egypt and has a number of production lines of textiles, carpets, bamboo products besides a music orchestra that plays music all around the world using braille musical sheets to help the blind women get engaged in the society and explore their potential. The NGO also offers educational services for blind children, full time and part time residencies and more services.

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Port Gabtoli (6 of 7)
Dhaka, Bangladesh
By Khandaker Azizur Rahman
06 Apr 2012

Gabtoli is a small domestic port in Dhaka, Bangladesh. Here, raw construction materials for both industrial and residential developments comes from different parts of Bangladesh. Among the raw materials are coal, stones, bricks, sand and metal. Approximately 20,000 workers labor in the port day and night, mostly originating from rural areas of Bangladesh leaving their families behind. They earn less then $4 a day to maintain their family and are literally deprived of health, education and other basic facilities.

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Sulphur Mines at Kawah Ijen Indonesia
Kawah Ijen, Indonesia.
By Jeffrey Bright
19 Jan 2011

Sulphur Mines Kawah Ijen Indonesia. In East Java, Indonesia lies Kawah Ijen volcano, 2,600 meters tall (8,660ft), topped with a large caldera and a 200-meter-deep lake of sulphuric acid. An active vent at the edge of the lake is a source of elemental sulphur, and supports a mining operation. Escaping volcanic gases are channelled through a network of ceramic pipes, resulting in condensation of molten sulphur. The sulphur, which is deep red in colour when molten, pours slowly from the ends of these pipes and pools on the ground, turning bright yellow as it cools. The cooled material is broken into large pieces the miners hack chunks off with steel bars, braving extremely dangerous gases and liquids with minimal protection. The miners often use insufficient protection while working around the volcano and are susceptible to numerous respiratory complaints. The sulphur is then carried out in baskets by the miners. Typical loads range from 60–100 kilograms, and must be carried to the crater rim approximately 200 meters above before being carried several kilometres down the mountain. Most miners make this journey twice a day. The miners are paid by a nearby sugar refinery by the weight of sulphur transported 1 kg selling for 625 Indonesian Rupiah, the typical daily earnings were equivalent to approximately € 6 to € 9. The sulphur is then used for vulcanising rubber, bleaching sugar and other industrial processes.

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Sulphur Mines at Kawah Ijen Indonesia 17
Kawah Ijen, Indonesia.
By Jeffrey Bright
19 Jan 2011

In the past 40 years, 74 miners have died after being overpowered by fumes that can suddenly swirl from fissures in the rock.

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Sulphur Mines at Kawah Ijen Indonesia
Kawah Ijen, Indonesia.
By Jeffrey Bright
19 Jan 2011

The miners working with hammers and metal poles, break the deposits up into chunks and load them into baskets.

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Sulphur Mines at Kawah Ijen Indonesia
Kawah Ijen, Indonesia.
By Jeffrey Bright
19 Jan 2011

The miners brake off pieces of sulphur with steel bars, braving extremely dangerous gases and liquids with minimal protection.

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Sulphur Mines at Kawah Ijen Indonesia
Kawah Ijen, Indonesia.
By Jeffrey Bright
19 Jan 2011

In the past 40 years, 74 miners have died after being overpowered by fumes that can suddenly swirl from fissures in the rock.

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Sulphur Mines at Kawah Ijen Indonesia
Kawah Ijen, Indonesia.
By Jeffrey Bright
19 Jan 2011

A miner collects pieces of sulphur. Sulphur has a range of uses from fertiliser to cosmetics to gun powder, but most of that mined at the volcano is supplied to a local factory where it is used to bleach sugar.

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Sulphur Mines at Kawah Ijen Indonesia
Kawah Ijen, Indonesia.
By Jeffrey Bright
19 Jan 2011

A miner tries to escape the toxic smoke at Kawah Ijen sulphur mines.