This work show how places are changed in 10 year from the D-Day (april 6th, 2009) when a 6.3 earthquake hit L’Aquila, (Abruzzo, Italy) and 309 people died. We have the 2009 shots and the same shots in 2019. Many places are changed, many other seems look like nothing happened after the quake.
This work show how places are changed in 10 year from the D-Day (april 6th, 2009) when a 6.3 earthquake hit L’Aquila, (Abruzzo, Italy) and 309 people died. We have the 2009 shots and the same shots in 2019. Many places are changed, many other seems look like nothing happened after the quake.
This work show how places are changed in 10 year from the D-Day (april 6th, 2009) when a 6.3 earthquake hit L’Aquila, (Abruzzo, Italy) and 309 people died. We have the 2009 shots and the same shots in 2019. Many places are changed, many other seems look like nothing happened after the quake.
This work show how places are changed in 10 year from the D-Day (april 6th, 2009) when a 6.3 earthquake hit L’Aquila, (Abruzzo, Italy) and 309 people died. We have the 2009 shots and the same shots in 2019. Many places are changed, many other seems look like nothing happened after the quake.
This work show how places are changed in 10 year from the D-Day (april 6th, 2009) when a 6.3 earthquake hit L’Aquila, (Abruzzo, Italy) and 309 people died. We have the 2009 shots and the same shots in 2019. Many places are changed, many other seems look like nothing happened after the quake.
This work show how places are changed in 10 year from the D-Day (april 6th, 2009) when a 6.3 earthquake hit L’Aquila, (Abruzzo, Italy) and 309 people died. We have the 2009 shots and the same shots in 2019. Many places are changed, many other seems look like nothing happened after the quake.
This work show how places are changed in 10 year from the D-Day (april 6th, 2009) when a 6.3 earthquake hit L’Aquila, (Abruzzo, Italy) and 309 people died. We have the 2009 shots and the same shots in 2019. Many places are changed, many other seems look like nothing happened after the quake.
This work show how places are changed in 10 year from the D-Day (april 6th, 2009) when a 6.3 earthquake hit L’Aquila, (Abruzzo, Italy) and 309 people died. We have the 2009 shots and the same shots in 2019. Many places are changed, many other seems look like nothing happened after the quake.
A man and the female family members harvest green peanuts, one of Lombok's crops, that are grown along the southern tip of Ekas.
Salman, a fisherman and the best surfer in the village of Ekas, sands his fishing boat that has been freshly pained with Sasak designs. Other men of the village work on a boat and mend nets close to the shore of the bay.
During the day, women take care of the children while tending to other household chores. This boy will surely grow up to be a fisherman, and perhaps a surfer, in the village of Ekas.
Teens take some time out during the day to hang out, play music, or watch the sea from the shore. It's time to spend with friends or alone, as much time is spent fishing or surfing in the world famous waters of Indonesia.
As night falls with Mount Rinjani in the distance, the village leader's son plays with the trash left behind the fisherman along the banks of Ekas bay. The village becomes very lively as everyone enjoys the sunset, the cool air, and the ending of another day of simple hard labor.
Rumaji, a local fisherman of Ekas, pulls his nets in after sunrise to find his daily catch that will feed his family for the days to come. This small remote fishing village still remains completely self-sufficient with little need for resources further close to cities.
Rumaji, a fisherman of the small village of Ekas, prepares his boat at sunrise to collect the fish from his nets. Mount Rinjani, Lombok's one active volcano, sits off into the distance.
After a night of sailing and fishing, men bring their boats to the shore of Lombok's largest fish market, Tanjung Luar. After sunrise, primarily women, and some men, will wade to meet the boats then bring the fish into the market to be sold.
Left: Marine worms called "Nyale" come to certain beaches of southern Lombok to spawn once a year. The legend says that after Princess Mandalika jumped from the cliffs to save the island from war, her people searched the tidal flats below but only found nyale marine worms, which they believed were the magical infestation of her beautiful hair. Right: Ice is sold at the largest fish market on the island of Lombok to keep the fish fresh and able to transport across the island.
As the first light of day rises over the village of Ekas, a family collects nyale, a sea worm that comes to the southern coast of Lombok once a year and is part of the activities of the most important holiday of Sasak culture.
Men rest on the beach during the early morning of the Bau Nyale festival, a traditional holiday that occurs once a year on Lombok Island. It's a Sasak holiday that occurs for two days, on the 10th month of the Sasak calendar, and people travel to the southern coast for the festivities.
During the annual Sasak festival, Bau Nyale, men will perform peresean which is traditional stick fighting competition. This may represent the story how many kingdoms ago, Princess Mandalika had numerous suitors fighting for her hand in marriage. To prevent war and death on the beautiful and peaceful island of Lombok, she threw herself off the seaside cliffs to her death.
Sahram uses traditional tools for building fishing boats to carve a "gamboose" on the shore immediately after choosing and cutting the tree to be used for the traditional instrument. It will take an approximate week to make this 7 stringed instrument that will use a varied weight fishing line for strings.
Sitting on a traditional "bruga", to shade from the sun and allow the ocean breeze to cross, the loser at a game of dominos must wear a stone tied to his ear with fishing line.
Boys of fisherman living in the small Indonesian village of Ekas, cool off from the intense heat and play with miniature boats that were built with the help of their fathers.
A fisherman, his wife, and child pass to drop their fishing nets for the evening as Rumaji reuses a plastic bag to funnel petrol into the rudimentary internal combustion engine so the boat can return to the village of Ekas.
About a kilometer into the bay of Ekas, there is a single fish farm where most of the fish are exported to China and islands settled further north of the Indian Ocean.
While laboring over parts to repair fishing boats, the men of Ekas find ways to keep spirits high with jokes and laughter among themselves.
A young shepherd turns his attention away from his flock of sheep to watch a group of local surfers along the horizon of the crystal clear waters of the Indian Ocean.
Jamal, a fisherman of Ekas Bay, uses zip ties to attach a new bamboo beam to help the balance of this fishing boat. During the day, most men will be repairing boats or nets. His sandals have been clipped to allow for more stability and control.
Lakshmi Bunker (21) with her 11 month daughter Varsh. She is currently seven months pregnant. Virol village.
Lake Maracaibo and Ologá Village shot by drone
SPAIN, on July 19, 2015. A popular protest took place in the small village of Zahara de los Atunes, in Andalucia, to demand more medical services.
Zahara de los Atunes is famous in Spain as a holiday place for many Spanish celebrities. But during the winter, it’s just a small village with less of 1,000 inhabitants. The village does not have 24 hour medical services, no ambulances and the nearest hospital is one hour away.
Language: Spanish
In December 2013, the Intellectual Property Association of Bangladesh (IPAB) celebrated a major success as Bangladesh's Jamdani Sari weaving tradition, a labor-intensive and time-consuming form of hand loom weaving is recognized as Intangible Cultural Heritage of Humanity by the United Nations Educational, Scientific and Cultural Organization. Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District.
A sari is the traditional garment worn by women in the Indian subcontinent, made up of a long strip of unstitched cloth, ranging from five to nine yards in length, which can be draped in various styles. The most common style is for the sari to be wrapped around the waist with one end then draped over the shoulders with the other. The Jamdani Sari is among the oldest styles, at more than 5,000 years old! Some people think that the sari was influenced by Greek or Roman toga, which we see on ancient statues. However, there is no solid historical evidence to this effect.
The sari is essentially designed to suit local conditions in the subcontinent. There are at least six varieties of Bengal handlooms, each deriving its name from the village in which it originated, and each with its own distinctive style. Dhaka was especially renowed for saris of fine muslin, a tradtion that carries on today. Jamdani is basically a transformation of the world famous Dhakai Muslin. According to their variety, fineness and patterns the traditional Dhakai Muslins were divided into specific categories. Among them, Aab-E-Rouhan, Shabnam, Sarband and Jamdani muslin were the most famous. Over the years the first three of these have vanished from history.
The production, marketing and export of Jamdani has somehow maintained its continuity. Dhaka has a history of only four hundred years from 1610 A.D., but the history of the cotton clothes of the region reveals more ancient traditions. Although most of the history of Jamdani weaving os lost in the mists of antiquity, it's known that trade in the fabric was established at least 2,000 years ago.
A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.
Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.
A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.
Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.
A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.
Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.
A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.
Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.
Portrait of a Bangladeshi weaver of Jamdani Saris in the village of Rupganj Thana in the outskirts of Dhaka.
Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.
A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.
Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.
Portrait of a Bangladeshi weaver of Jamdani Saris in the village of Rupganj Thana in the outskirts of Dhaka.
Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.
A Bangladeshi weaver designs a Jamdani Sari in the village of Rupganj Thana in the outskirts of Dhaka.
Jamdani is the finest Muslin textile produced in Bangladesh's Dhaka District. This time consuming and labor-intensive form of hand loom weaving has been declared intagible cultural world heritage by UNESCO.